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[i]Much of Moondust is composed of vignettes as Smith zigzags across the country, from Florida and California to Las Vegas and Houston, tracking down moonwalkers and other Apollo astronauts. Edgar Mitchell continues his interest in the paranormal. Dick Gordon, the Apollo 12 command module pilot, looks almost pathetic, all but ignored at an autograph show in Las Vegas in favor of third-rate actors from sci-fi TV shows. John Young dazzled -- and perhaps overwhelmed -- Smith with his discussions of lunar science and the threat to humanity posed by asteroid impacts. Smith had the luck of meeting Buzz Aldrin the day after Aldrin's infamous encounter with Bart Sibrel. He was even able to cross paths in person, and later exchange emails, with Neil Armstrong, although those encounters offered few insights. While each of these individual encounters is entertaining, collectively the whole is less than the sum of its parts. It's difficult to puzzle out what the underlying theme of the book is supposed to be. Is it that the Apollo astronauts went off in so many different directions after their missions? That hardly seems surprising, given that, despite the best efforts of NASA public affairs of the day to demonstrate the conformity of the astronaut corps, these are all very different people, with different backgrounds and personalities, many of whom are not necessarily close with one another. (One interesting observation made late in the book is that the lunar module pilots tended to be more strongly affected by their missions than their commanders, but Smith doesn't devote a lot of time to try and explain why that might be true.) Is the book's purpose to show how these "men who fell to Earth" responded to achieving the highlight of their careers while many were still in their thirties? If so, the book doesn't do that well a job of explaining how well they did. There are countless people, from child actors to athletes, whose most significant accomplishments came early in their lives. Despite the personal demons some of the Apollo astronauts had to fight after the end of the program -- alcohol, depression, divorce -- one might argue that the Apollo astronauts handled this better than, say, a high school quarterback who wins the state championship at age 17 and spends the rest of his life futilely trying to recapture that glory. Smith, though, doesn't pursue that line of argument. In the end, Moondust, like so many other books, is as much about the author as it is the subject matter. Smith comes to that realization in the final pages of the book: "Why had I wanted to come back to the time and place of Apollo? For eighteen months this has vexed me, but suddenly the answer seems obvious: that the astronauts represent a time when the world seems to reflect my own innocence." That innocence may have been short-lived, but the memories proved strong. Perhaps, in the end, too strong, spoiling what might have been a more coherent, enlightening examination of how a monumental effort like Apollo reshaped the lives of the men who journeyed to the Moon.[/i]
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